July 07, 2009

Stories Available on Anthology Builder

I'm making a number of stories available via Nancy Fulda's Anthology Builder website.  Right now, a suite of serious stories that appeared in The Magazine of Fantasy & Science Fiction over a ten-year period should be fully-available by the end of the day.  The stories are:

"Jonny Punkinhead," 1996

"Chromosome Circus," 2001

"To Kiss the Star," 2001

"Perfect Stranger," 2006

Each story portrays an advance in human technology, or a challenge related to it.  Many people might not realize that, rather than the "gedanken" experiments popular in some sub-genres of science fiction, the stories of this type that I write are based in considerable research on actual, real potential technologies or challenges.  As to the "freak" stories, it is perfectly possible for there to be a human mutational virus, although that has not yet occurred, and I hope - never will.  I think, however, in some ways, we already have these viruses, and one good example would be HPV.  The changes they cause are not as dramatic as those portrayed in the stories, but the underlying concept is similar.

With Anthology Builder, you can establish an account, choose any stories by any author you wish, and assemble your own, 350 page printed book that will be delivered to you within 10-30 days.  The cost is $14.95 - very reasonable for a trade paperback book of this length.

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Also, this bald chap named John Joseph Adams is editing a new anthology about wizards, The Way of the Wizard.  Do visit John's blog.  This book joins other awesome volumes he has edited for Prime Books.  These books are gorgeous, and filled with the best stories on their themes.

July 06, 2009

Cornell University and Lying Online

Jeff Hancock at Cornell This is Cornell University professor Jeff Hancock in 2006.  Prof. Hancock has studied online behavior; in particular - the tendency to lie on social networking sites, online dating sites, and, I think, the tendency to lie a little less on online peer-network sites such as LinkedIn, where one's peers, coworkers and business associates will quickly determine if someone is exaggerating or misrepresenting work experience.

In a 2008 NPR interview, Prof. Hancock discussed some research-identified clues to online deception.  Some of the research was sponsored via a $680,000 National Science Foundation grant for research in the social sciences.  Unlike some research projects, in which the results may be of mysterious, or arcane benefit, it sounds like the research of Dr. Hancock and his students may illuminate important aspects of human, social behavior.

In terms of identifying online lies, Dr. Hancock said things about language that I found fascinating, and which immediately rang true to me.  First, he said, one language construction that statistically correlates to lies written on the internet, is, as he described it, "dropping the first person".  Or from a grammarian's perspective, the liar, in typing the lie, literally leaves out "who" did whatever the action is.

In other words:

TRUTH:   We (or I) flew into town last night.

LIE:  Got into town last night.

Dr. Hancock also mentioned online ruses in recent years that involved professionals seeming to be amateurs, from political campaign videos (probably "Obama Girl" and "Hillary Girl" - I know they were performers trying to get attention) to "lonelygirl15" on YouTube, who was an actress.  So is "Crazy German Kid" and who knows how many others.

Dr. Hancock also commented that people may not be aware that they are being told a lie online, but that the way they compose their written responses to lies does indicate there is some difference in the effect of the liar's words.  People tend to write longer responses to dishonest statements or assertions.  Even if they do not consciously recognize that "it's a lie," subconsciously, the difference in syntax in response seems to show that there's something being triggered, somewhere.

It's all really cool stuff. Prof. Hancock has been working in automated linguistic analysis for a few years now.  As a writer, I became aware of my language a long time ago.  In what lies the "honesty" of any fictional work?  It can only be in the words.  I think most writers have a sense of when the work is going well, and we are being "true" to the story.  I am fairly certain that some of these patterns would show up in any mathematical analysis.  So, in answer to the question, if "good" writing is that which is "true" to the story and characters, and "bad" writing is that which goes through the motions (i.e. - sort of writing lazily or hastily around a story, not directly to it), someday there might very well be an objective analysis of this.  I believe that people do not want to read the most ENTIRELY uncompromisingly "true" fiction - just as Dr. Hancock mentioned in his radio interview, that he didn't believe that he'd lied YET that day.  Of course we all tell little white lies, and there are social lies that are very important.

But as to plain, dishonest liars?  No, that is not the most essential thing in our world.  And yes, I think we move ever closer to determining when these behaviors go over the top, and something (ostracism) should be done about it.  Looks like there are more new studies and researchers as well.

July 04, 2009

Happy Fourth of July! For Doggies and Terror Birds

I hope everybody had as nice a Fourth of July as I did!  I was going to write about how this holiday terrorizes our pets.  Badger is still in hiding!  However, he cowered through the fireworks on my lap, as is his usual habit.

Playadelrey4thofjuly This is Playa del Rey, looking toward the fireworks barge . . .

Abeautifulsunset A beautiful sunset, looking toward the Marina and Santa Monica mountains.

Badger07.04.09 Please feed me . . . I love you so much . . .

Horriblefishbird A terror fish bird, which I think is a cormorant.  This tree was filled with dozens of them, and they all came at once, with their fish in their mouths.

Fireworksfour I'm sure this is not the right way to take pictures of fireworks, but I love the way they came out.

Fireworkstwo Fireworksthree

July 02, 2009

New SFWA Website Online

SFWA, the Science Fiction & Fantasy Writers of America, for whom I am serving as Treasurer this year, has launched its new website.  Technically, the site is still in a beta phase, but there is plenty of great information there right now.  You may find a few bugs if you visit; please DO notify the webstaff so they can keep working and improving it.

As a member of SCBWI (Society of Children's Book Writers & Illustrators) and recently, a new member joining HWA (Horror Writers Association) to support and show confidence in their efforts, I am so thrilled to say that SFWA's new web presence compares well with these diverse organizations' web presence.

Sfwa_logo

This is SFWA's new logo - it's great!

My heartfelt thanks go out to President Russell Davis for his unwavering leadership, and to our Secretary - but very much more than that, Mary Robinette Kowal.  Our Vice President, Elizabeth Moon, not only has exciting new books on the horizon, she has also provided steady leadership as well.

"I don't know who those people are . . . " bleh bleh bleh.  Well, to the internet people who stated that upon this current board running for election over a year ago, because things had gotten pretty depressing and bad - I am the first female author to have a cover story of the Magazine of Fantasy & Science Fiction twice in one year (2001).  Very small in all regards, but for someone who grew up adoring Ray Bradbury, who reveres Daniel Keyes, and who believes in what F & SF is and has always stood for, it was a big honor to me.  And I hope in some small way, the few things I do, are enjoyable to readers.


July 01, 2009

Michael Jackson: INFJ?

OK, Typelogic says that Michael Jackson was an ISFP - or "Intuitive Sensing Feeling Perceiving" type of person.  I honestly think this is based on the fact that Michael was a lifelong performer.  I don't think it has anything to do with the evidence of what he did in his life, how he truly acted, and the type of person I sense that he was.

And if I sense (otherwise known as "intuit") something, it isn't based in nothing.

Things that speak to Michael being INJF are 1) he truly had the skin disease vitiligo.  He did say this in public on the Oprah show in 1993, but he didn't emphasize it.  Fans and others are the ones who produced the videos that any normal person could watch to see that yes - Michael did suffer from this, and it must have been as distressing or as difficult for him as for many others.  2) Michael was reportedly always "asking questions" and trying to learn on breaks during rehearsals, even as a young child - according to Quincy Jones.  That and "ISFP" don't go together.  3) Michael was attached to a world "not of this world" and he was very spiritual.  He seemed trusting and idealistic at any point where I saw in interviewed, or heard him speak.  I believe his charitable efforts to help children and others were always sincere, and as well thought-out as he could make them.  He was also very wealthy, and made some very intelligent, well-planned business decisions, such as acquiring the Beatles catalog.

As horribly as he was treated, Michael never made a big issue out of it, choosing to avoid harming the children in question at all costs.  Child molester?  If so, why were the accusations against him so difficult to believe in their specifics?  He spend so much time, with so many children, surely more credible stories of real abuse would have come forth.

My instincts are, Michael really was an INFJ.  And it's not hard for us to be "martyrs."  It comes naturally.  I am so, so sorry he is gone, and my heart bleeds for those who loved him and must miss him so terribly, especially his children and the other members of his family.

June 29, 2009

What's That - Clue-Lay, You Say? Of COURSE It's a Galvanized Corpse!

I'm not a regular reader of Boing-Boing.  But it seems to me that whenever I look at it, I'm inspired to say, WTF???

Totallyobviouspolicesketch

David Pescovitz put this on Boing-Boing last October with a title that said, "Odd drawing hanging on pole." He then said speculated - what is it?  What could it be?  Is it ART on a pole?

Gee, I don't know - what do you think it is?

Commenters said, and I quote,

"It's a composite drawing of a suspect wanted for attacks at the Palo Alto train station."

Whut?

"It's a suspected wanted in a series of attacks."

Uh, whut?

Finally someone commented, "How could anyone look at that and not see that it was a police drawing?"

There was probably an attached verbal flyer describing the attacks and saying whom to call, and it probably got torn off, or fell off the pole and blew away.

But no - it must be, eh - outdoor art!  Oh, of course - ze outdoor art - for ze intelligent people.

I saw this because I'm researching crime things for the book I'm working on, like - hanging ("Odd drawing HANGING on pole"). 

I also saw this.  It was no help in my research whatsoever.  But the story came with the attached cartoon.  It's very special. The hanged man from the story (Marion Ira Stout, aka Ira), was a complete idiot who slept with his own sister.  His sister, for her part, was married to a nasty guy named Charles Littles.  Mr. Littles beat Ira's sister up, treated her badly, and I guess, cheated on her.  Therefore Sarah, the sister, conspired with her brother Ira, with whom she had been observed sleeping in the same bed by other relatives . . . naked . . . to kill Charles.  This plan went poorly, and although Mr. Littles died, the efforts to dispose of his body properly went awry.  Both brother and sister busted up their arms during the crime, and personal effects were later found near Charles' waterlogged corpse.

This being a case of clear public benefit, Ira was shortly hanged.  This, too, was botched, and after 8 minutes of hanging, he still was not dead.  After half an hour, apparently he was dead, and then was put aside to be buried.  However, someone attached a battery to his body the next day, thus producing "The Galvanized Corpse."  Herewith, is the illustration . . .

Agalvanizedcorpse

What is that, you say?

A - corpse?  A Gal-vanized corpse!  Why, it cannot be - one must be properly hanged to then be galvanized.

Bringing Sexy Snape Back . . .

This is it, I swear.  My You Tube obsession knows no bounds.  First, Michael Jackson DID have vitiligo, and it was the height of cruelty for people to continue to indicate he cosmetically whitened his skin.  There are videos all over You Tube that would convince any normal person of this.  It really is vicious cruelty to continue to make fun of him for a disease neither he, nor any other person, could help.  If you have any pretense of being "fair," you owe it to yourself to watch any of the several factual videos that show Michael's uneven skin tone developing over time, and all the different people with the same condition that prove that people with darker skin tones than Michael could turn even paler than he did.  He was diagnosed with vitiligo AND lupus, a painful and potentially fatal disorder, in 1984.  So, when I was running around with not a care in my head, and he was already coping with these serious diseases.

Second - there's a lot of sick slash out there.  This isn't sick, I don't think.  It's sort of . . . um . . .
Check out Hagrid saying, "Yeah!"  LOL!

I

I also wanted to comment that since Michael Jackson has died, a certain sort of person has been the one to gloat, mock or laugh. I agree with the Rev. Al Sharpton. Michael was a genius, not a freak. I've written about freaks. My first published stories, and my first novel, were about freaks. What is on the outside only seldom agrees with what is on the inside. And - we all know a freak who could have used some genetic modifications. No surprise to see him dancing on the grave of a dead man, who is mourned by three-quarters of the world, and everyone with a heart. That's why God made worms, so people like that could be reborn into them.

June 28, 2009

Too Sexy For World of Warcraft

It's embarrassing to say how I found this.  Oh, well, okay.  Ya got it out of me.  For some reason, looking for "sham wow" on the internet came up with this:

"I'm too sexy for your party . . . too sexy for your party . . ."  And his car???

I think they made it by actually playing their WoW characters and then adding the music.

Stavros Flatley! And Michael Flatley and Fred Astaire

Well, I know they didn't win Britain's Got Talent, but a little internet surfing will get you a very long way from where you started.  For some reason, I ended up on the gorgeous, brilliant Michael Flatley, which quickly led to the Greek father-son comedy dance team from Britain's Got Talent.

June 27, 2009

Fillmore, CA - The Last Best Small Town?

I'm anything but a Fillmore expert, so forgive me if I get some details wrong.  Ever since I was teaching in Moorpark and hiking around the Sespe, I had an interest in a small town in eastern Ventura county called Fillmore.

I believe that Fillmore, population about 13,000, advertises itself as "the last, best small town."  It is the home of the unique Fillmore & Western Railway, which is a recreational, tourist railway that uses well-preserved trains of the past to provide many different types of dinner, dancing, murder mystery and other festive day and weekend trips.  I haven't taken any of these trips - yet!  Now that I know they're available, they are definitely on my list.

Fillmoretrain This is a great picture of one of the trains, and it gives an idea of the sky color most of the year, and the type of hill country in which Fillmore is situated, very near the Sespe Wilderness backcountry in Ventura County - which is a place I adore, and would love to know better. 

Fillmore is accessible from the 23 Freeway going past Moorpark (east off the 101) and highway 126, either driving east from Ojai (another AWESOME place) or west from the 5 freeway, shortly past the landmark of 6 Flags Magic Mountain.  It's almost impossible to believe, if one travels only on Southern California's large freeways, seeing only smog and slurbia, that such an enclave of "the way things were" really exists.

What caught my eye most about Fillmore, driving back and forth to various backcountry destinations, was how much the place felt like the Redlands in which I grew up.  I still remember my early childhood address - 1107 E. Lugonia Ave.  This was a ten-acre orange grove which is now a large mobilehome park.  Two palm trees casually situated on the strip of brown grass between the sidewalk and Lugonia Ave. (also known as Highway 38) used to sit on each side of the narrow driveway that went to the grove house that was located right in the middle of the grove, the place where I grew up, played with my dog - a Basset hound named Rebel - and rode my pony.

400px-City_of_Fillmore_Panorama_010

Here is another view of Fillmore, taken from, I believe, a hilly vantage point to the south of the town, looking north. 

You can see the acres of dark green citrus, and the palm trees.  The hills in the background are the Sespe backcountry, and the whole layout is, to me, magical.  Fillmore's downtown is a mini-version of what once existed in my hometown of Redlands.  That, too, I have magical childhood memories of.  When we are young, everything seems so special, new and wonderful.  I remember that, where the unbelievably hideous "Redlands Mall" now sits, which would have been an additional two blocks of State Street between Redlands Blvd. and Brookside Ave., there was a large, grand old Spanish-style hotel called the La Posada.  There was also a car dealership.  It *might* have been Hatfield Buick (now located in a different, newer building farther east on Redlands Blvd., but I was really pretty little.  I remember a round, circular window on the corner, in which the brightly-colored cars were displayed.  Next to that was a lunch counter that just went back in a single row of seats from the sidewalk.  The floor and the wall were covered with Spanish tiles, mostly green and black, but also with some flowered or orange/orange blossom ones.  I remember being fed a half-sandwich there now and again.  I always wondered if this was the "He say he no here now," bar/restaurant.

When my grandfather was the Constable in the 1940's, he would have lunch or let's say - an after-work beer - at this place (which might not have been THAT place), and if somebody would call for him there, like, say, my grandmother, the owner/bartender would put his hand over the phone, ask about him knowing perfectly well he was there, and then say, "He say he no here now."  These were the days of the Joe Rivera tooled gunbelt, the brass star just like a real Sheriff's star (I guess - he was the real Sheriff), and Redlands' motorcycle force - one guy, and one motorbike - my grandfather's friend Dale Pence.  I want to say that the bike was an Indian, and I'm pretty sure that it was.  But you know when you are a really little kid, it's hard to tell the difference of what bike it would be from an old black and white picture.

All of this I am describing was torn down when I was between the ages of 3 and 5.  The entire history, all of the graciousness, and nearly all of the beauty and pride of what really was one of the great American small towns, was bulldozed or stuccoed-over in 1960's modernization and development.  The horror continued all the way through the 1970's and even into the 80's, when people suddenly woke up and realized what they had done.  Many things have been restored, and those things not torn down, are now lovingly preserved.

But the Redlands I knew, of regular people, many of whom lived "north of the tracks," or later - the 10 Freeway (also built when I was extremely small) - they were the ones who got really hit.  It was their homes torn down for the freeway, their legacy that is utterly ignored and forgotten.  My grandfather was remembered by those who knew him, as well as myself, the last child he ever raised, and one who remembers to this day, every good word, lesson and value he taught me (and the lessons and attitudes toward nature and the outdoors, too) - he was always remembered as the best man anybody ever knew.

So when I would drive by Fillmore, as I did recently, I would always see the California I once knew.  It was a different place then, almost a different country.  The pace was much slower, with every day in spring and fall bringing an impossibly brilliant orange and cerise sunset casting its soft, long light across the flatland and shadowing the ragged mountains, the velvety dark green groves measured and bounded as if by a careful hand sewing long stitches of tall palms jutting skyward.

There is no smell but the smell of an orange grove in flower, its sweetness a drug telling you all is well with the world, all is beautiful.  The earth is loam and red clay, crumbling in your fingers.  It is a dry, hot place, but in surprising places and surprising moments, there is cool shade, with layer upon layer of soft green moss and feathery fern.  This is as I was raised.  And a part of it still remains in Fillmore.

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